A nada imploram tuas mรฃos jรก coisas, por Fernando Pessoa ๐Ÿ“ƒ๐Ÿ–‹๐Ÿ‡ต๐Ÿ‡น

Ricardo Reis โ€” Fernando Pessoaโ€™s classical, Stoic heteronym โ€” wrote some of modernismโ€™s most austere and formally accomplished meditations on mortality. This commentary examines one of his finest odes: a poem in which a dead womanโ€™s hands become things, her name is forgotten, and only the poem itself survives to preserve a single, anonymous smile.
Continue reading A nada imploram tuas mรฃos jรก coisas, por Fernando Pessoa ๐Ÿ“ƒ๐Ÿ–‹๐Ÿ‡ต๐Ÿ‡น

In questo momento bramoso e assorto, di Walt Whitman ๐ŸŒฟ๐Ÿ–‹๐Ÿ“–

ยซThis moment yearning and thoughtfulยป รจ una delle liriche piรน intense e meditative della sezione Calamus di Leaves of Grass: in pochi versi, Walt Whitman trasforma un istante di solitudine pensosa in un atto di fratellanza universale, immaginando legami profondi con sconosciuti sparsi in ogni angolo del mondo. Questo post ne analizza la struttura poetica, il tema del desiderio come forma di conoscenza, e il suo posto nella visione democratica e internazionalista che attraversa lโ€™intera opera whitmaniana. Continue reading In questo momento bramoso e assorto, di Walt Whitman ๐ŸŒฟ๐Ÿ–‹๐Ÿ“–

The poet speaks by phone with his love, by Federico Garcรญa Lorca ๐Ÿ‡ช๐Ÿ‡ธโžก๏ธ๐Ÿด๓ ง๓ ข๓ ฅ๓ ฎ๓ ง๓ ฟ

Federico Garcรญa Lorcaโ€™s โ€œEl poeta habla por telรฉfono con el amorโ€ is one of the most celebrated sonnets in the Sonetos del amor oscuro, his landmark posthumous collection of love poetry. Written during the final years of his life and never published by Lorca himself, this formally daring sonnet transforms the humble telephone call into a charged symbol of desire, distance, and longing. Through nature imagery mapped onto the body, a subtle erotic symbolism, and a unique structural variation within the classic Petrarchan form, Lorca crafts a poem of extraordinary emotional depth. First made available to the public in 1984, the Sonetos del amor oscuro are now recognised as the pinnacle of his lyric achievement. This critical analysis explores the poemโ€™s symbolism, its place within Lorcaโ€™s poetic style, and its enduring popularity among readers and scholars of Spanish literature and twentieth-century poetry. Continue reading The poet speaks by phone with his love, by Federico Garcรญa Lorca ๐Ÿ‡ช๐Ÿ‡ธโžก๏ธ๐Ÿด๓ ง๓ ข๓ ฅ๓ ฎ๓ ง๓ ฟ

Eu nunca guardei rebanhos, por Fernando Pessoa ๐Ÿ“ƒ๐Ÿ–‹๐Ÿ‡ต๐Ÿ‡น

First poem from the collection โ€œThe Shepherdโ€, Eu nunca guardei rebanhos, by Fernando Pessoa, written under the heteronym Alberto Caeiro, presented in original version in Portuguese and in translation into English and Italian by Enzo Martinelli. Continue reading Eu nunca guardei rebanhos, por Fernando Pessoa ๐Ÿ“ƒ๐Ÿ–‹๐Ÿ‡ต๐Ÿ‡น

Gacela de la huida, de Garcรญa Lorca โœ’๏ธ๐Ÿ“ƒ๐Ÿ‡ช๐Ÿ‡ธ

โ€œGacela de la huidaโ€, poem by Federico Garcรญa Lorca, from his poetry collection โ€œDivan del Tamaritโ€, presented in original version in Spanish, illustrated, and in translation into English and Italian, curated by Enzo Martinelli. Continue reading Gacela de la huida, de Garcรญa Lorca โœ’๏ธ๐Ÿ“ƒ๐Ÿ‡ช๐Ÿ‡ธ

Casida de las palomas oscuras, de Garcรญa Lorca โœ’๏ธ๐Ÿ“ƒ๐Ÿ‡ช๐Ÿ‡ธ

Presentation of the poem by Federico Garcรญa Lorca, โ€œCasida de las palomas oscurasโ€, from the collection โ€œDivan del Tamaritโ€, with original text in Spanish and translation into English and Italian by Enzo Martinelli. Continue reading Casida de las palomas oscuras, de Garcรญa Lorca โœ’๏ธ๐Ÿ“ƒ๐Ÿ‡ช๐Ÿ‡ธ