Spontaneous me, by Walt Whitman ๐ŸŒฟ๐Ÿ–‹๐Ÿ“–

โ€œSpontaneous Meโ€ is one of Walt Whitmanโ€™s most daring and sensual poems, taken from the โ€œChildren of Adamโ€ section of Leaves of Grass. A hymn to the instinctive nature of human desire and its connection with the natural world. In this article you will find the original text in English, along with the translations into Italian and Spanish, with a reflection on the bodily and naturalistic language that made Whitman so revolutionary for his time.

“Spontaneous Me” รจ una delle poesie piรน audaci e sensuali di Walt Whitman, tratta dalla sezione “Children of Adam” di Leaves of Grass. Un inno alla natura istintiva del desiderio umano e alla sua connessione con il mondo naturale. In questo articolo trovate il testo originale in inglese, insieme alle traduzioni in italiano e spagnolo, con una riflessione sul linguaggio corporeo e naturalistico che rese Whitman cosรฌ rivoluzionario per il suo tempo. Continue reading Spontaneous me, by Walt Whitman ๐ŸŒฟ๐Ÿ–‹๐Ÿ“–

Modernist portrait of Cesare Pavese

Cesare Pavese ๐Ÿด๓ ง๓ ข๓ ฅ๓ ฎ๓ ง๓ ฟ

On September 9, 1908, Cesare Pavese was born in the Piedmontese village of Santo Stefano Belbo, in the vine-covered hills of the Langhe. He died forty-one years later โ€” by his own hand, in a Turin hotel room, two months after winning Italy’s most prestigious literary prize. In between, he wrote some of the most honest and quietly devastating prose and poetry produced in twentieth-century Italy. To mark the anniversary of his birth, we revisit the life, work, and enduring legacy of one of Italian literature’s most essential figures: translator of Melville, Faulkner, and Steinbeck; editor and architect of the Einaudi publishing house; poet of solitude and landscape; and the author of The Moon and the Bonfires, the novel Susan Sontag called the work of “one of the few essential novelists of the mid-twentieth century.” From the spare narratives of Hard Labor and The House on the Hill to the mythic dialogues of Dialogues with Leucรฒ and the posthumous poems of Death Will Come and Will Have Your Eyes, this post covers his major achievements, his most celebrated short fiction, his literary legacy โ€” and six of his most enduring verified quotes. Continue reading Cesare Pavese ๐Ÿด๓ ง๓ ข๓ ฅ๓ ฎ๓ ง๓ ฟ

A nada imploram tuas mรฃos jรก coisas, por Fernando Pessoa ๐Ÿ“ƒ๐Ÿ–‹๐Ÿ‡ต๐Ÿ‡น

Ricardo Reis โ€” Fernando Pessoaโ€™s classical, Stoic heteronym โ€” wrote some of modernismโ€™s most austere and formally accomplished meditations on mortality. This commentary examines one of his finest odes: a poem in which a dead womanโ€™s hands become things, her name is forgotten, and only the poem itself survives to preserve a single, anonymous smile.
Continue reading A nada imploram tuas mรฃos jรก coisas, por Fernando Pessoa ๐Ÿ“ƒ๐Ÿ–‹๐Ÿ‡ต๐Ÿ‡น

Veillรฉes, de Arthur Rimbaud ๐Ÿ’กโœ’๏ธ๐Ÿ‡ซ๐Ÿ‡ท

Poem by Arthur Rimbaud from his poetry collection โ€œIlluminationsโ€, – Veillรฉes – presented in its original version in French and in translation into English, Italian and Spanish, curated by Enzo Martinelli. Continue reading Veillรฉes, de Arthur Rimbaud ๐Ÿ’กโœ’๏ธ๐Ÿ‡ซ๐Ÿ‡ท

The poetical universe of Federico Garcรญa Lorca โœ’๏ธ๐Ÿ‡ช๐Ÿ‡ธ๐Ÿด๓ ง๓ ข๓ ฅ๓ ฎ๓ ง๓ ฟ

Federico Garcรญa Lorcaโ€™s late poetry feels instinctive, even wild โ€” but beneath its sensory surface lies a precise symbolic grammar. In the Divรกn del Tamarit and the Sonetos del amor oscuro, his two posthumous masterworks, the moon signals death as much as beauty; blood fuses erotic desire with mortal wound; running water means life while standing water means death; and the horse gallops toward the abyss of the duende. These are not decorative images โ€” they are a system, one Lorca spent his entire career perfecting and brought to its fullest expression in the collections he would never see published. This post explores the symbolic world of Lorcaโ€™s final poetry, with close readings of key poems and reference to the critical essays in our new bilingual English edition. Learn to read the signs โ€” and Lorca will never read the same way again. Continue reading The poetical universe of Federico Garcรญa Lorca โœ’๏ธ๐Ÿ‡ช๐Ÿ‡ธ๐Ÿด๓ ง๓ ข๓ ฅ๓ ฎ๓ ง๓ ฟ

As consequent, by Walt Whitman ๐ŸŒฟ๐Ÿ–‹๐Ÿ“–

โ€œAs Consequent, etc.โ€ is a little-known praise by Walt Whitman to the river as a metaphor for life and poetry itself. In this article you will find the original text in English flanked by Italian and Spanish translations, with a brief comment on the symbolic meaning of water in Whitmanโ€™s work and the challenges of making his verse free in other languages. Continue reading As consequent, by Walt Whitman ๐ŸŒฟ๐Ÿ–‹๐Ÿ“–